On Friday, January 30, the GW Digital Humanities Symposium 2015 (DISRUPTING DH) took place at Jack Morton Auditorium. About eighty people attended the event, which brought together academics, activists, publishers, librarians, archivists, students (graduates and undergraduates), GW alumni, and interested members of the public. As publicized on the event website, the aim of the day was to assemble different…
Great news! GW Libraries has just received a grant from the National Historical Publications and Records Commission (NHPRC) to use a social feed manager to aggregate and analyze Twitter data. An application developed by Daniel Chudnov, Director of Scholarly Technology at Gelman Library, will aid GW librarians and researchers to collect and store millions of tweets per day. Read…
Friday, February 12 12:30 – 3 p.m. RSVP at go.gwu.edu/GWdoesDH Twitter hashtag: #GWDH16 Everyone is invited to a showcase of Digital Humanities (DH) projects underway across the University and the greater DC area. This year’s program will include brief clusters of presentations followed by discussion and a reception. Find out about innovative endeavors happening in Classics,…
We are pleased to announce the publication of Alexa Alice Joubin‘s online textbook Screening Shakespeare, just in time for the new academic year! The openly-licensed learning modules in the book cover key concepts of film studies, such as mise-en-scène, cinematography, sound and music, and film theory.
Modes of Cognition: Implications for AI Public lecture by Professor N. Katherine Hayles, 11:30 am, Wednesday October 23, 2024 In-person and Zoom hybrid event. Zoom link: https://mit.zoom.us/j/97309041943 Myers Room, George Washington University Museum and Textile Museum, 701 21st St NW, Washington, DC 20052 This event is hybrid: in person and on Zoom. Here is…
What would happen if over 150 students, poets, artists, and academics joined forces to creatively rewrite all of Shakespeare’s sonnets? The result would be Out of Sequence: The Sonnets Remixed (2014), a collaborative, mixed-genre collection edited by GW English PhD student D. Gilson. This multimedia publication was a collaborative project that had its origins in Gilson’s “call for contributors”…